This is a short video on the recent art exhibition I had at Gladstone’s Land, Edinburgh. It was filmed by Bad Monkey Films, and shows the installation process, opening night event and a short introduction to the project featuring comments from some of the attendees.
I am currently showing my latest work at the Gladstone’s Land Gallery, Lawnmarket, Edinburgh (on the Royal Mile). The exhibition showcases some of the illustration work which I developed from my genealogical travels, and also a preview of my e-book which accompanies the exhibition.
Hope to see you here… do come along if you happen to be in Edinburgh!
So, this is what part of my studio looks like at the moment after two weeks of research away for my Are You Here Project. I thought I would share it for a bit of fun (I liked the way the printed out photographs all sat nicely together), and also ask how other people who do creative work get inspiration and plan out projects.
Returning from my study trip (and having recently enjoyed Bristol Mayfest and the Brighton Fringe) I felt it would be a nice way to start June to visit some of the Glasgow West End Festival goings on. This is is an annual event which is now in its eighteenth year, offering a huge range of events, talks, music recitals, plays and other activities, many of which are free.
The Kelvinside Hillhead Parish Church is somewhere I have wandered past many times and peeked up at from Byres Road but I had never been in. They are open most weekends during the Festival, so do go and see this building if you can; what windows! There are several Cottier windows and also one designed by William Morris. I have never seen stained glass sunflowers before; beautiful. The roof is quite spectacular as well, the whole church is actually modelled on the Sainte Chapelle in Paris.
For lunch we popped into Waitrose and purchased some suitably sunny snacks, and sat in the Kibble Palace under the heat of the glass enjoying some Mediterranean themed sustenance. Saturday had moments of extreme sun with some scattered showers, so the Kibble was full of happy, dry people. We went for a nice wander around the west end conservation area, admiring the beautiful bay windows and detailed ironwork en route to Rio Café where the Partick Monkeys were playing. I had not seen them before and as fans of ska we were happily dancing along to tunes old and new (take a peek at their songs on their soundcloud ).
On Sunday we visited the Gibson Street Gala, which is a community event where part of the roads are closed off and made traffic free for the day. I was pleased that they had a nice day for this, another glorious Glaswegian sunny day, just the thing for a street party. One of the great things about the Gibson Street Gala is that it has so many activities for young and old, but also (for those of an architectural persuasion) that you can have a sneak peek at what tenement back courts could all be like as GOW residential backcourt opened up their gardens for the day offering tea from Tchai Ovna, relaxing music and interesting “half hour art” sculptures.
St. Silas Church was giving away fairtrade coffee and also running fairground games, with some atmospheric singing and piano accompaniment inside the church (which also has some rather wonderful stained glass, what a treat.)
As you can see from the photograph I took from the top of Gibson Street hill, we were not the only ones out enjoying the day!
One of the many things I like about living in the city is that some libraries are open on a Sunday, this weekend was particularly busy at Hillhead as Mairi Hedderwick was doing two talks, one for children (and the young at heart) on the Katie Morag books and one on the art of travel writing. I have always enjoyed her style so it was nice to meet her and hear stories of her travels around the Highlands and Islands of Scotland, with a little “behind the scenes” insight into how she prepares those beautiful illustrations. There are quite a few author events on during the festival, detailed at http://www.westendfestival.co.uk/events.
The Granny Would Be Proud” craft and vintage fair was on at Hillhead Bookclub, with bargains and one off pieces to be found. I was taken aback by the beauty of this building, as the ceiling is quite something to behold (the mezzanine means you can get quite close to it). This was another “why have I not been here before” moment as it is a place which has a lot of events (many specifically for the Festival) and offers an interesting selection of food and drink in a rather wonderful category A listed former cinema setting.
This was only the first weekend of the festival, many other delights await for the rest of the month!
Sources of information for this blog post:
- Gibson Street Gala 2013 Programme of Events
- Kelvinside Hillhead Parish Church welcome guides
- Scottish Cinemas- Hillhead Picture Salon http://www.scottishcinemas.org.uk/glasgow/hillheadsalon/
- West End Festival 2013 programme available online at http://www.westendfestival.co.uk/
On getting the train to St Pancras from Brighton, I noticed this little welcome en route for my journey back home. How interesting, a variation on the “Let Glasgow Flourish” I am used to seeing, and an unexpected piece of the far North in the South East!
Yesterday I made a journey to Hove Library to see the book “Unknown Brighton” which was published in 1926, containing text by George Aitchison and illustrations by Stella Langdale, who is a member of my family tree. I had first heard of this book through the website “Ye Olde Sussex Pages” and a little research using the Brighton and Hove online web catalogue revealed that there was a copy in Hove library.
I had never been to Hove before, yet I “knew” where to find it as I instinctively wandered upstairs and found the local studies room, sought out the Brighton shelves and there it was! I was absolutely delighted to be able to hold the very book in my own hands. It had that well worn appearance, with pages a little fragile and well thumbed. The blue cover and gold embossed lettering was slightly faded and looking to the side one could observe the curved and folded leaves of paper, hiding the treasure within.
Stella did 24 aquatint illustrations for this book, and a number of line drawings which annotate the text at key parts. Even though these were prints of aquatints, it was wonderful to see these as they reveal a little of Stella’s style. The influence of the Glasgow school in her long flowing lines can be seen, particularly within the Pavilion illustration, and elegant use of tone and shadow add to the delight (view more of Stella’s work here, and read my previous posts about my genealogical art journey project here). The words of the book relate to the many sides of Brighton which a visitor may not know about; written in the 1920’s one wonders to what extent the visitor of those times went “of the beaten track” to discover the environment beyond the seafront, aquarium and pavilion. Indeed, many visitors today may do the very same, although the Lanes is of course now well known for shopping and entertainment.
There were a number of references to the development of Brighton as a settlement, and also to several works held in the museum. I ventured to Hove museum as it was nearby, and discovered the very same amber pot which Stella had completed line drawings of! Information panels told me that this pot was “one of Britain’s most important bronze age finds”; for me it is also a great family history find… nose to case with something Stella had seen, and drawn!
On return to town I also went back to the Brighton Museum and Art Gallery, seeking out a mug which featured in the book. I knew from a previous visit that it was likely to be part of the Henry Willett collection, as a maritime themed item of pottery (Willett was a local businessman who amassed a huge collection of porcelain and catalogued it into various themes to help people learn about different topics relevant to social history, it was given to Brighton museum in 1903- therefore quite new for the Langdale family and other Brighton residents at the time when Unknown Brighton was written). I scoured the display cases and opened all of the discovery drawers in the room, to no avail. No sailors cup. I did find it on one of the interactive displays, however, so I have “sort of” seen it, and discovered it was made in 1895 by Charles Brennam. Item 324 must be in store!
In the section regarding the Lanes, available on the “Olde Sussex” website two images from this book are shown, one of Black Lion Lane and one of a fig tree. After my amber cup find I was feeling upbeat and thought, yes, I will try and find those views. Chances of finding a random tree in the middle of a busy City Centre? Pretty minimal, but I thought I would try anyway. The Lanes were less busy than the previous few bank holiday sunny days and it had only just stopped raining. The paving was sprinkled with rain and shone in the sun, good exploring territory as only the hardy few would be out and about at this time (late lunch, when those huge bed and breakfast full English-es have worn off and tastebuds start demanding attention again).
Black Lion Lane was easy, I had actually walked down this lane before, and seen the lion (as detailed in a previous post). On thinking about the aquatint, I recreated the view in my minds eye; it was the route from Ship Street to Black Lion Street. The little inshot about halfway up the snickel (as Yorkshire folk would call it, but here my Pevsner guide tells me it is called a twitten) looked familiar, it was on the right hand side of the aquatint therefore must be in that direction. The hanging lantern was long gone, a modern street light was in its place. I took a photo of this and then walked back in the other direction to take another photograph, just to be on the safe side. I marvelled at the crazy pebbled walls, which have now become familiar to me and stroked one appreciatively on the way past. It was shiny and smooth with the passing of many people. I wondered if Stella may have done the same thing.
At the end of the lane I stepped out of the enclosure to the street and into the light of Ship Street, looking back at my find, happily, and pausing to think how interesting it was to actually be walking in the places where my ancestors had been. I peeked across the road. There was another twitten, inviting exploration. I was feeling a little tired and was about to go back through the lane to find a coffee stop, but thought “no, another five minutes won’t hurt”. I walked across the busy street (avoiding the white and teal taxi, whose colours reflect the railings on the promenade) and into the lane. This lane was no ordinary lane. There were buildings on one side and a low wall with gates on the other. Some plants were hanging over the brick wall and some trellis was trying to keep control of a tangle of greenery which appeared to be winning that particular battle. Looking up, I saw bright green leaves with the sun shining through. Slowly it dawned on me that there was something unusual about these leaves. They were a pretty shape and some had fruit. Was this THE tree? Not being the best at botanical studies I doubted my initial judgement, but I took some photographs and thought out loud “how long do fig trees live?”. This was not just any old tree, this was a beautiful tumbling tree, whose branches reached over the wall and spread out happily. Just like the one in Stella’s drawing.
I retired to the 16th Century Cricketers Arms (Brighton’s oldest pub) and had a long lemonade and lime pause. Had I really found the tree? Was this the one in the aquatint? Was this a fig tree or was I just making it up, hoping it was true? I resorted to modern technology; wifi revealed that yes, this was indeed what a fig tree looked like, and yes, it did look remarkably like the one in the aquatint. Ficus said Wikipedia. Ficus religiousa I thought! Not the Bodhi tree, but a little family tree remaining just for me!
The sources of information which I used for this blog post are:
- Aitchison, G (1926) Unknown Brighton (John Lane, The Bodley Head Publishing)
- Antram, N and Morrice, R (2008) Brighton and Hove (Yale Books)
- Brighton Museum information panels and interactive display -the Willett collection
- Brighton and Hove Online Library Catalogue- https://brighton-hove.spydus.co.uk/cgi-bin/spydus.exe/MSGTRN/OPAC/HOME
- Cricketers Arms – information panel
- Hove Museum information panel- the amber cup
- Ye Olde Sussex Pages- The Lanes A History http://yosp.co.uk/index.php?option=com_content&view=article&id=517&Itemid=1166&lang=en
- Wikipedia – Ficus http://en.wikipedia.org/wiki/Ficus
OK, so we’re all familiar with the normal architectural details which adorn our favourite buildings (if not in name then in form).. the classical capital orders of corinthian, ionic and doric.
What, then, is this?!?!
Lovely Brighton has an order of it’s very own, the ammonite capital. I absolutely LOVE these. My newly acquired Pevsner guide tells me these are a speciality of A H Wilds, who was involved in the architecture of much of Regency Brighton. Wow!
Yes, I discovered there are indeed two Brighton Pavilions.. only one is slightly less famous than the other.
This is the first one which many people know and love:
But wait, what is this, hiding behind Western Road?
It is the Western pavilion!
Home to A H Wilds, 1831!
So, when I was in Bristol I commented on how much I liked my “bike experience” there, and a few people (James Corner and Calmgrove, do check out their blogs) mentioned I should seek out the cycle map. I do indeed rather like it, a 3D view of all of the major cycle routes.
The map is located by the new square, which contains @Bristol and the planetarium; it made me think about the big distances which my family have moved over time, something I am considering for my art project. How did they get where they were going and why did they go there? Where have your family moved to or from? Do you have any exciting genealogical adventures to share?
My bike needs to get out, it is feeling sad attached to the railings where I am staying! I have been walking everywhere here.
I had heard about West Pier before (and indeed glimpsed it from afar on a previous visit to the city) but I went for a closer look yesterday and was deeply saddened to see its demise. Only the seagulls can view those iron beams and beautiful decorative elements properly now. I have created a slideshow of the images so you can see different views.
When my relatives were here it would have been a wonderful sight to behold, and also the “new pier” opened in 1899 (the one which now has the flashing Brighton pier sign on.. as this postcard from the Old Stratford Upon Avon Brighton section shows).