As someone with a huge passion for exploring my local environment and digging into the history and architecture of an area, and ways of presenting this creatively I am rather taken by a project which I found on Twitter called “Walk My World”, the invention of William O’Byrne who is based in Newhaven, USA. The idea is that you carry out a journey, once a week, and then record and share that using various digital media tools (he suggests Twitter, Vine and Instagram and produces a handy guide for newcomers to these on his site). There’s still an opportunity to take part if you wish… join in!
I personally have not used Instagram much as until fairly recently I didn’t have a phone with a very good camera (it was quite a low resolution), preferring to play with my SLR, but since I got a new phone in November I have been playing with the many free and low cost apps which allow you to snap, shoot and share your view of the world. The Walk My World project seemed a good time to try out Instagram.. so I took a wander around Govanhill in Glasgow.
A wonderful multi-lingual community cafe, in an Evangelical church hall, which asks for only donations for breakfast:
Said free/ donation breakfast (which was lovely, as were all the people in the pop up cafe):
Library exhibition on wartime experiences:
The library history exhibition, including a little alcove devoted to R D Laing, an influential psychiatrist born in the area:
The many languages of Govanhill:
International peace garden:
Community baths (I had visited these at Doors Open Day before):
Wonderful tenements, a Glasgow architectural icon:
I discovered a lot about the area, even from this short walk! I had not created a video in Instagram before, and also played with the tagging and mapping functions. I know Instagram is not exactly “new news” but it is funny how sometimes we need a reason to play with new stuff. I also learnt that embedding Instagram posts in WordPress only needs the URL, not the embed code. I like to learn through play, and this sort of project is “right up my street”, thanks William!
I completely agree with the comment in William’s blog post that educators should create an online brand for themselves (thinking before they share), I am quite aware of my “digital footprint” and in some ways my background may appear somewhat diverse (town planning, conservation, education, creative media) but I am lucky enough to be able to combine all of these through the various strands of my professional work (on reflection, I am needing to revisit my own website to better represent this; although I was very happy with it when I created it at the time and I have gradually added content such as my “Are You Here” project exploring family history links and the environment of Bristol and Brighton, my professional practice has evolved to represent a variety of skills).
As well as undertaking freelance illustration and digital interpretation projects in arts and heritage, and volunteering my time for Planning Aid Scotland, in my other professional persona I am currently working as Educational Co-ordinator at the University of the West of Scotland, on the Digital Commonwealth project. This is a project which is designed to help marginalised communities (such as those who live in areas of socio-economic deprivation) develop digital media literacy skills using readily available technology and tools. The project is framed around the digital reporting of Queen’s Baton Relay for the Glasgow 2014 Commonwealth Games, with projects based around the topics of people, place, culture and exchange. I have been really impressed with the creative results of the #walkmyworld project beginning to be shared on Twitter and it made me even more excited about the possible results of planned creative digital media projects which will take place as part of the Digital Commonwealth project!
Here are some of my favourite #Walkmyworld posts so far:
Happy Twitter dogs!
— Caitlyn Keller (@CatierayeK) January 13, 2014
More dogs (but Vine):
The wonders of Islay:
— Emma Revie (@EmmaReviex) January 16, 2014
The fabulous benefits of creating enthusiastic online communities!
— Molly Shields (@ShieldsMolly) January 18, 2014
Happy exploring, creating, learning and sharing!
Today’s unconventional advent calendar is very unconventional indeed as it is long weekend of cumulative entries. I may well devise some bonus content later for those of you who might have missed the last two days of usually daily pics and musings.
I was taken by the art featured in the calendar as someone who endeavours to unite art and planning issues; often we find ourselves working with various people who have ideas for new uses for buildings where the previous use has for some reason ceased, and unfortunately there are a lot of examples of buildings which are at risk due to continual neglect and decay. From a cultural planning point of view these can also present themselves as opportunities as well as problems, there are many innovative examples of property re-use and reimagination. Our towns and cities are constantly changing, instability can mean an area reinvents itself in various ways. The Liverpool biennial is the largest contemporary arts festival in the UK (see website), and when I first visited in 2008 the city was the European capital of culture. Interestingly, Liverpool and Liverpool John Moores Universities devised a methodology for assessing the impact of cultural festivals (download here), covering cultural access, economy and tourism, cultural vibrance and sustainability, image and perceptions and governance and delivery.
Previous entries for the unconventional advent calendar can all be seen on the UWS Cultural Planning blog where a community of cultural planning practitioners doing the 2013 short course are recording and sharing their reflections and thoughts.
Today’s unconventional advent calendar for 9th December is all about clubs, societies and organisations going on within an area, featuring a notice board in Cove and Kilcreggan in rural Argyll. Virtually every area will have local clubs and societies for any type of subject, from sports to literary events to music and heritage, long established and part of a bigger organisation or perhaps small and informal and entirely independent. People are a big part of cultural planning, they are cultural planning assets. Whenever I go on holiday I tend to gravitate towards the small cafes and end up picking up lots of leaflets to have a nosey at what is on (libraries and parish notice boards are a good source of information too, and tourist information centres). I have ended up going to fascinating events by serendipity taking a role, happening to be in the right place at the right time and chatting to someone or seeing a stray flyer. Of course, internet research is good too.. but when you’re a cultural planner on holiday it pays to hang out in lovely little community places, for people watching and good coffee, and pop up events may just be coming your way. Bike tag, anyone? Pop up street food market? A community choir in a reclaimed warehouse arts space?
My other unconventional advent calendar entries here.
I am currently enrolled in a cultural planning course and uploaded some content reflecting on some of the approaches mentioned in the course
Since we did the last session of the course I have been periodically tagging things on Twitter with #culturalplanning; some of these have been my own posts with photos, and others retweeting things of interest. I thought I would compile all of these in one place for easy reference and discussion next week.
I enjoyed the visits to Paisley and Govan, particularly the new Govan Stones exhibition as the last time I visited was some time ago (2011, I had written a short blog post about the day out, also exploring some artistic and community facilities nearby).
— AlisonMcCandlish (@CrenellatedArts) September 11, 2013
At a Renfrewshire Witch Hunt day conference I also heard a little more about the stones and community projects
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So, this is what part of my studio looks like at the moment after two weeks of research away for my Are You Here Project. I thought I would share it for a bit of fun (I liked the way the printed out photographs all sat nicely together), and also ask how other people who do creative work get inspiration and plan out projects.
OK, so we’re all familiar with the normal architectural details which adorn our favourite buildings (if not in name then in form).. the classical capital orders of corinthian, ionic and doric.
What, then, is this?!?!
Lovely Brighton has an order of it’s very own, the ammonite capital. I absolutely LOVE these. My newly acquired Pevsner guide tells me these are a speciality of A H Wilds, who was involved in the architecture of much of Regency Brighton. Wow!
I absolutely love the view from the train on the way along the coast in the North East of England. Even on a stormy day (which it was), the view is wonderful (although taking photographs from a seat window is particularly challenging, so I hope the seat shadows and light will be excused, this is not meant to be a “quality photography” post, but an “ooh.. look at that!” post).
From Edinburgh Waverley station one gets a wonderful view of Calton Hill and Calton Gaol; enormous crenellated buildings on huge rocks loom which above the station and gradually give way to the townscape of the city (look out for the Meadowbank Stadium and its velodrome whilst heading out East). As you pass on towards Dunbar one sees the beautiful red pantile roofs and dark stone buildings (typical of the Lothian and Borders townscape). Dunbar station has a lovely mosaic stating the name of the station, made from pebbles which are painted white, just incase you don’t know where you are. I don’t know any other station which has an official railway typefaced sign directing you to a wishing well either!
Onward south, one is greeted with wonderful views of the coast, at times the track clings to the cliffs so one can get a peek into the secretive coves and bays of the borders with that distinctive red rock tinge.
When one reaches Berwick one passes through the site of Berwick Castle and crosses the great Royal Border Bridge designed by Robert Stephenson. You can see the “old bridge” (1611) and the “new bridge” (1928):
On a fine day, keep an eye out for the Holy Island of Lindisfarne and the very top of Warkworth Castle (it was too stormy on my visit, as you will see from this):
Onwards again, Alnmouth comes into view with its colourful houses facing out towards the railway and the view of the harbour sands.
In Newcastle you zoom past the Byker Wall and past the old castle, with fine views of the Sage and the Millennium Bridge.
Don’t forget to wave at Antony Gormley’s the Angel of the North!
To Durham… home of truly spectacular views, taking in a the cathedral and castle- it’s not every day you pass a World Heritage Site on your train journey (infact Edinburgh Old and New Towns to Durham Castle and Cathedral could be called the World Heritage route).