Today’s unconventional advent calendar is very unconventional indeed as it is long weekend of cumulative entries. I may well devise some bonus content later for those of you who might have missed the last two days of usually daily pics and musings.
I was taken by the art featured in the calendar as someone who endeavours to unite art and planning issues; often we find ourselves working with various people who have ideas for new uses for buildings where the previous use has for some reason ceased, and unfortunately there are a lot of examples of buildings which are at risk due to continual neglect and decay. From a cultural planning point of view these can also present themselves as opportunities as well as problems, there are many innovative examples of property re-use and reimagination. Our towns and cities are constantly changing, instability can mean an area reinvents itself in various ways. The Liverpool biennial is the largest contemporary arts festival in the UK (see website), and when I first visited in 2008 the city was the European capital of culture. Interestingly, Liverpool and Liverpool John Moores Universities devised a methodology for assessing the impact of cultural festivals (download here), covering cultural access, economy and tourism, cultural vibrance and sustainability, image and perceptions and governance and delivery.
Previous entries for the unconventional advent calendar can all be seen on the UWS Cultural Planning blog where a community of cultural planning practitioners doing the 2013 short course are recording and sharing their reflections and thoughts.
This is a short video on the recent art exhibition I had at Gladstone’s Land, Edinburgh. It was filmed by Bad Monkey Films, and shows the installation process, opening night event and a short introduction to the project featuring comments from some of the attendees.
I am currently showing my latest work at the Gladstone’s Land Gallery, Lawnmarket, Edinburgh (on the Royal Mile). The exhibition showcases some of the illustration work which I developed from my genealogical travels, and also a preview of my e-book which accompanies the exhibition.
Hope to see you here… do come along if you happen to be in Edinburgh!
So, this is what part of my studio looks like at the moment after two weeks of research away for my Are You Here Project. I thought I would share it for a bit of fun (I liked the way the printed out photographs all sat nicely together), and also ask how other people who do creative work get inspiration and plan out projects.
OK, so we’re all familiar with the normal architectural details which adorn our favourite buildings (if not in name then in form).. the classical capital orders of corinthian, ionic and doric.
What, then, is this?!?!
Lovely Brighton has an order of it’s very own, the ammonite capital. I absolutely LOVE these. My newly acquired Pevsner guide tells me these are a speciality of A H Wilds, who was involved in the architecture of much of Regency Brighton. Wow!
Yes, I discovered there are indeed two Brighton Pavilions.. only one is slightly less famous than the other.
This is the first one which many people know and love:
But wait, what is this, hiding behind Western Road?
It is the Western pavilion!
Home to A H Wilds, 1831!