Tagged: archaeology

Fun at the festival of museums

This weekend it has been the Festival of Museums throughout Scotland (and Museums at Night throughout the UK). We had a great time yesterday (May 17th) on an architectural art bus tour organised by the Glasgow Gallery of Modern Art, and hosted by Dress for the Weather architects. There is currently an exhibition at GOMA by Nathan Coley, using the architectural form of places of worship in Edinburgh to form a dramatic model landscape, our tour was inspired by this and we visited two religious buildings in the South Side of Glasgow (Glasgow Gurdwara and Govan Old).

I have included a taster of some of the sketches and models in the video, but I am looking forward to seeing them all on display in GOMA together.

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Retracing the steps of illustrator Stella Langdale

Yesterday I made a journey to Hove Library to see the book “Unknown Brighton” which was published in 1926, containing text by George Aitchison and illustrations by Stella Langdale, who is a member of my family tree.  I had first heard of this book through the website “Ye Olde Sussex Pages” and a little research using the Brighton and Hove online web catalogue revealed that there was a copy in Hove library.

I had never been to Hove before, yet I “knew” where to find it as I instinctively wandered upstairs and found the local studies room, sought out the Brighton shelves and there it was!  I was absolutely delighted to be able to hold the very book in my own hands.  It had that well worn appearance, with pages a little fragile and well thumbed.  The blue cover and gold embossed lettering was slightly faded and looking to the side one could observe the curved and folded leaves of paper, hiding the treasure within.

Stella did 24 aquatint illustrations for this book, and a number of line drawings which annotate the text at key parts.  Even though these were prints of aquatints, it was wonderful to see these as they reveal a little of Stella’s style.  The influence of the Glasgow school in her long flowing lines can be seen, particularly within the Pavilion illustration, and elegant use of tone and shadow add to the delight (view more of Stella’s work here, and read my previous posts about my genealogical art journey project here).  The words of the book relate to the many sides of Brighton which a visitor may not know about; written in the 1920’s one wonders to what extent the visitor of those times went “of the beaten track” to discover the environment beyond the seafront, aquarium and pavilion.  Indeed, many visitors today may do the very same, although the Lanes is of course now well known for shopping and entertainment.

The Lanes today, with a welcome and bunting

The Lanes today, with a welcome and bunting

There were a number of references to the development of Brighton as a settlement, and also to several works held in the museum.  I ventured to Hove museum as it was nearby, and discovered the very same amber pot which Stella had completed line drawings of!  Information panels told me that this pot was “one of Britain’s most important bronze age finds”; for me it is also a great family history find… nose to case with something Stella had seen, and drawn!

Face to face with a find of historical and family significance

Face to face with a find of historical and family significance

On return to town I also went back to the Brighton Museum and Art Gallery, seeking out a mug which featured in the book.  I knew from a previous visit that it was likely to be part of the Henry Willett collection, as a maritime themed item of pottery (Willett was a local businessman who amassed a huge collection of porcelain and catalogued it into various themes to help people learn about different topics relevant to social history, it was given to Brighton museum in 1903- therefore quite new for the Langdale family and other Brighton residents at the time when Unknown Brighton was written).  I scoured the display cases and opened all of the discovery drawers in the room, to no avail.  No sailors cup.  I did find it on one of the interactive displays, however, so I have “sort of” seen it, and discovered it was made in 1895 by Charles Brennam.  Item 324 must be in store!

Brighton Museum and Art Gallery- source of inspiration and treasures!

Brighton Museum and Art Gallery- source of inspiration

In the section regarding the Lanes, available on the “Olde Sussex” website two images from this book are shown, one of Black Lion Lane  and one of a fig tree.  After my amber cup find I was feeling upbeat and thought, yes, I will try and find those views.  Chances of finding a random tree in the middle of a busy City Centre?  Pretty minimal, but I thought I would try anyway.  The Lanes were less busy than the previous few bank holiday sunny days and it had only just stopped raining.  The paving was sprinkled with rain and shone in the sun, good exploring territory as only the hardy few would be out and about at this time (late lunch, when those huge bed and breakfast full English-es have worn off and tastebuds start demanding attention again).

Black Lion Lane was easy, I had actually walked down this lane before, and seen the lion (as detailed in a previous post).  On thinking about the aquatint, I recreated the view in my minds eye; it was the route from Ship Street to Black Lion Street.  The little inshot about halfway up the snickel (as Yorkshire folk would call it, but here my Pevsner guide tells me it is called a twitten) looked familiar, it was on the right hand side of the aquatint therefore must be in that direction.  The hanging lantern was long gone, a modern street light was in its place.  I took a photo of this and then walked back in the other direction to take another photograph, just to be on the safe side.  I marvelled at the crazy pebbled walls, which have now become familiar to me and stroked one appreciatively on the way past.  It was shiny and smooth with the passing of many people.  I wondered if Stella may have done the same thing.

Black Lion Lane view

Black Lion Lane view (compare with original)

At the end of the lane I stepped out of the enclosure to the street and into the light of Ship Street, looking back at my find, happily, and pausing to think how interesting it was to actually be walking in the places where my ancestors had been.  I peeked across the road.  There was another twitten, inviting exploration.  I was feeling a little tired and was about to go back through the lane to find a coffee stop, but thought “no, another five minutes won’t hurt”.  I walked across the busy street (avoiding the white and teal taxi, whose colours reflect the railings on the promenade) and into the lane.  This lane was no ordinary lane.  There were buildings on one side and a low wall with gates on the other.  Some plants were hanging over the brick wall and some trellis was trying to keep control of a tangle of greenery which appeared to be winning that particular battle.  Looking up, I saw bright green leaves with the sun shining through. Slowly it dawned on me that there was something unusual about these leaves.  They were a pretty shape and some had fruit.  Was this THE tree?   Not being the best at botanical studies I doubted my initial judgement, but I took some photographs and thought out loud “how long do fig trees live?”.  This was not just any old tree, this was a beautiful tumbling tree, whose branches reached over the wall and spread out happily.  Just like the one in Stella’s drawing.

Stella's fig tree?

Stella’s fig tree?

I retired to the 16th Century Cricketers Arms (Brighton’s oldest pub) and had a long lemonade and lime pause.  Had I really found the tree?  Was this the one in the aquatint?  Was this a fig tree or was I just making it up, hoping it was true?  I resorted to modern technology; wifi revealed that yes, this was indeed what a fig tree looked like, and yes, it did look remarkably like the one in the aquatint.  Ficus said Wikipedia.  Ficus religiousa I thought!  Not the Bodhi tree, but a little family tree remaining just for me!

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The sources of information which I used for this blog post are:

Go Govan!

On Sunday I took a wander around an area of Glasgow which many people do not really know that well.  I spent the day being a tourist in Govan.

The original reason I went to Govan was to see the Glasgow Artist Studios, which are located at 30 Craigton Road (off either Edmiston Drive or along from Govan subway, depending on how you wish to walk there, or the 89/90 buses pass by).  It was the first open studio event which they had held, and a feast of art was there to see and explore, with many works on the wall to admire, but many of the artists were also about on the Sunday so it was good to chat to them about their work.  We enjoyed trying to identify the various Glasgow scenes in some of the preparatory work, played with some modelling material, chatted about the creative work… the Studio website lists all of the artists, who cover such a broad range of work in 2D and 3D.  They also had a wall to add creative things to; rather innovative collage combinations had ensued as a result of an arty party on Friday evening!

Nearby Elder Park was full of life.  It is a beautiful space, and always busy, laid out in 1885 and enshrined in the ship building history of the area.  There are mature trees and well maintained pathways, and (like all good parks) a pond with a swan.  The Elder Park Model Boat Club meet here, we spent a while watching the boats go round the pond and soaking up some October sun.  Sunny Govan indeed.

If you happen to be in the area during the week, pop into Luv Cafe, which is a great community space and has delicious goodies on sale.  Luv gallery across the road is also a great artistic showcase for local talent and exciting projects;.  Luv (Linthouse Urban Village) helps celebrate the architecture, environment and social history of the area and they are based at 1226 Govan Road.

Nearby the Fairfield Ship offices are being worked on at the moment, they are being converted into a heritage centre, community space and offices and the Pearce Institute also offers a fantastic community facility.  A short walk from here is the Pearce Institute (a fantastic community facility) designed by Robert Rowand Anderson, and his Govan Old Church; I was just remarking how I had never been in to see the Hogback stones when we saw a sign on the door offering tours. We could not resist and were rewarded with a peek inside a most beautiful building.  Anyone who is interested in architecture or archaeology should visit.. truly spectacular carved stonework.  As well as the famous hogback stones (which were significantly larger than I had imagined they would be) there are also cross slabs and a sarcophagus.  Little wonder that this is one of the top 50 Glasgow landmarks…a must see.

The new Riverside Museum can be viewed best from Govan; just along from the new public realm (featuring indented stone carved with local historical features, and a fountain complete with whimsical cast iron crocodiles).  You can catch a ferry to the Museum from Govan.. one for a later day out.

Three famous Glasgow landmarks, model boats, artists hard at play, celtic crosses and sarcophaguses (or should that be sarcophagi?)… go to Govan!